“Crime: it’s no laughing matter and it doesn’t pay. Unless we’re talking Anne Hathaway and Rebel Wilson of course, and then it’s belly-laughs all the way to the bank. Preparing to earn its money is The Hustle, Chris Addison’s debut directorial feature in which Wilson’s small-scale trickster teams up with Hathaway’s high-end con to stick it to the man.”
To read the rest of my Onscreen Magazine preview for The Hustle, follow this link.
